Show HN: Startup sci-fi novel that took me 5 years to write
It started after reading Stephen King's "On Writing" where he likened the art of writing as the unearthing of an archeological site after you stumbled upon a unique bone of a story. His advice was to choose a domain you are deeply intimate with. For me, I've been a struggling startup founder for 15 years—enough material to inspire a novel. A 1,000-word writing exercise turned into a complete 125k-word manuscript over the course of a year. In year 1, I learned the sheer joy of unencumbered creati
It started after reading Stephen King's "On Writing" where he likened the art of writing as the unearthing of an archeological site after you stumbled upon a unique bone of a story. His advice was to choose a domain you are deeply intimate with. For me, I've been a struggling startup founder for 15 years—enough material to inspire a novel. A 1,000-word writing exercise turned into a complete 125k-word manuscript over the course of a year. In year 1, I learned the sheer joy of unencumbered creative flow and authentic expression. A similar flow I used to get from coding (and more recently vibe coding). What made it effortless was a mindset that I was writing for the sake of it, not with the intention of publishing. After a year of keeping it close to my chest, I decided to show it to a few close friends. They liked some of it, destroyed some of it. Some ultimately encouraged me to publish it. In year 2, I learned about the chasm between writing for myself and writing for an audience. Nerdy stuff I thought were clever completely flew over my readers' heads. So I studied a dozen textbooks on literature, prose, poetry, voice, grammar, and completely rewrote the manuscript twice over, this time with the audience in mind. There is a lot more finesse to writing than I originally appreciated. In year 3, I felt ready to pitch literary agents. The reason wasn't to make a career out of writing, but to learn from professionals. After 100 personalized pitches and 0 offers of representation, I learned that pitching agents was much harder than pitching VCs. Especially for a niche novel like mine; fellow startup founders was too small of a TAM. In year 4, I engaged with a professional author/editor (Rob Hart, author of The Warehouse), who gave me essays worth of incredible developmental feedback. Lots of nuanced feedback I couldn't get from textbooks. Per his advice, I started back at chapter 1 and refactored the whole manuscript. I distilled it down to the best 88k words. The tinke
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