Lorde was performing at the Real Cool Festival in Madrid on Thursday and took some time during her set to speak out against AI glasses. While she didn't specify any brands in particular, it's likely she was taking a shot at festival sponsor Ray-Ban, which has collaborated with Meta on a pair of AI smartglasses. […]

LinkedIn has an obvious problem with ghost job postings. A good example: received an email of matched jobs. Opened it and followed one specific link only to see they were no longer accepting applications: https://www.linkedin.com/jobs/view/4439726696/ The job was reposted 7 hours prior and only received 36 applications total. I always assumed that ‘not accepting more applications’ meant a specific threshold was met. But 36 apps in 7 hours? No. Thoughts on what’s going on here?

Catch up on the most interesting science news from the last week.

Matmos are an incredibly accomplished duo between their own solo records like the masterpiece A Chance to Cut Is a Chance to Cure and production classic Bjork records like Vespertine. But Drew Daniel, one half of Matmos, is fiendishly prolific. When he's not literally dreaming up new viral music genres, he's also putting out records […]

A visual explanation of how two separate processes can access the same bytes without copying a payload between them. It covers virtual memory, page tables, physical frames, shm_open, mmap(MAP_SHARED), lazy allocation, copy-on-write, shared libraries, memory-mapped files, Redis snapshots, and Dirty COW. submitted by /u/Ok_Marionberry8922 [link] [留言]

I’ve been exploring the absolute structural floor of the Android APK format. By leveraging hasCode="false" and surgically optimizing the ASN.1 DER encoding of the V2 signature, I’ve managed to get a compliant Android 14 app down to 974 bytes. The system treats it as a first-class app, and it’s fully installable on a stock Android 14 device. It’s an exercise in how much the PackageManager trusts the headers versus what it semantically validates. submitted by /u/Same-Access-6799 [link] [留言]

Most WooCommerce product pages still show the same thing stores have shown for 20 years: a handful of flat photos. I spent the last few months building Noorifa, a plugin that replaces that with an interactive Three.js viewer — customers rotate the model, zoom in, and switch colors/materials on specific meshes in real time, synced to the store's actual WooCommerce variations. The 3D rendering part was the easy 20%. The other 80% was a series of small, specific problems that don't show up in a Three.js tutorial. Here are four of them. 1. A directional light rig can't light a face it can't see Early on, customers rotating a table model would find the underside of the tabletop rendering near-black — no matter how far I pushed the light intensity. The rig at the time was a single key light plus a hemisphere ambient: scene . add ( new THREE . HemisphereLight ( 0xffffff , 0x444444 , 1.2 ) ); const keyLight = new THREE . DirectionalLight ( 0xffffff , 1.2 ); keyLight . position . set ( 3 , 5 , 4 ); scene . add ( keyLight ); The bug was geometric, not a brightness problem: keyLight sits above the model, so its light direction only reaches surfaces whose normal faces back toward it. A downward-facing surface — the underside of an overhanging tabletop — can't receive any direct contribution from a light positioned above it, at any intensity. Cranking the brightness slider was scaling a number that was multiplying against zero. The fix was closer to actual three-point studio lighting: key, fill, and rim from above for shape and separation, plus a dedicated light from below, and a brighter hemisphere ground color to approximate bounced light: scene.add( new THREE.HemisphereLight( 0xffffff, 0x888888, 1.1 * brightness ) ); const keyLight = new THREE.DirectionalLight( 0xffffff, 1.1 * brightness ); keyLight.position.set( 3, 5, 4 ); const fillLight = new THREE.DirectionalLight( 0xffffff, 0.5 * brightness ); fillLight.position.set( -4, 2, 3 ); const rimLight = new THREE.DirectionalLigh

This is a submission for Weekend Challenge: Passion Edition TL;DR SQL can count a commit trail. It can't always find the story it tells. Name a public GitHub repo. Snowflake fetches its commit history, decides which story is actually in there, and asks Cortex to narrate that one thread. You get a card you can drop into a README. 6 storyline detectors, 15 SQL views, and 0 AI calls in any of them—the story is chosen by plain SQL. Then 1 Cortex call, on 20–140 commit lines: 25% of the repo's, clamped. The warehouse is the editor. Cloud Run paints a PNG and computes nothing. Live at commitchronicles.anchildress1.dev , code at v1.0.0 , and I'm going for Best Use of Snowflake . What I Built Commit Chronicles reads one public GitHub repo and gives it back to you as a story. Snowflake fetches the repository, decides which story exists, gathers the evidence, asks Cortex to narrate exactly that thread, validates the result, and returns structured JSON. Cloud Run just turns it into a 1200×630 PNG—the size a README embed and a social preview both want. This is one of my repos and every dot, timestamp, and quoted commit on it is real. The color isn't just decoration—Cortex picks the accent hex as a reading of the arc, so a repo that died and one that came back and shipped don't look the same. The scope is deliberately one repository , not a whole profile. A year-in-review across a profile turns to mush. A repo has a clean arc: commits start, cluster, pause, restart, or stop. Two rules hold it together: Cortex interprets the shape. It never invents the facts. Every timestamp, count, gap, and quoted message on the card is real. It reads the arc; it does not reach past it. Motivation isn't in the data, so the model is forbidden from claiming any. A repo with no real story says so. Sparse histories get an honest grey card— "no story here" —and Cortex never runs. Not every repo is an obsession, and a tool that admits that is the one you trust when it says otherwise. Why I built it 🪤